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Laura Bosenberg

Laura Bosenberg Slideshow

“Gaynor Mindens have changed my dancing for the better! They are so consistent, and it really helps when I can concentrate on the steps and not worry about if my shoes will last or not! I always KNOW they will. No more shoe stress!”

Laura Bösenberg has become a homegrown favorite at Cape Town City Ballet, in Cape Town, South Africa. From the beginning of her career, when she won “Best Newcomer” from the Balletomanes Society, to her more recent honors — the Phyllis Spira Memorial Award and CTCB’s Most Outstanding Female Dancer of the Year 2008 — Bösenberg has been recognized and acclaimed as a major talent.

Starting at age 4, Laura took dance classes and saw productions at the Opera House in Cape Town, falling in love with ballet. Natalie Swanepoel gave Laura lessons twice a week in the Royal Academy of Dance (RAD) syllabus, until Laura entered the University of Cape Town’s School of Dance. There she continued the RAD curriculum, taking classes in classical ballet, contemporary dance, African dance, dance notation, music, dance history, pedagogy, choreography, Pilates, and theater skills. While a student at the university, Laura also became an apprentice with Cape Town City Ballet; her schedule was so tightly packed that she didn’t even take any holidays! Her intensive training paid off: she was chosen to dance the Merry Widow pas de deux, partnered by Robin Van Wyk, one of the company’s principal dancers, during their gala season. During the same year, Laura also won the RAD Bursary Award Competition. Soon after, she was honored with the RAD performers Tuition Award.

Cape Town City Ballet soon hired Laura for their corps de ballet, and after only a couple of years, she began dancing larger principal roles. Following her debut as Aurora in The Sleeping Beauty, Laura was promoted to soloist.

In 2009, Laura was promoted to Principal Dancer.

Dancing leading roles requires different qualities than does dancing in an ensemble. Laura notes that in the corps, “one has to constantly be aware of the others in the group and you should all be the same.” She prefers being a soloist, adding, “I feel I can express myself more in a role and add my own interpretation to the character I’m portraying.”

Juliet is Laura’s favorite character. “I love the depth of character and I love the acting.” She’s also “a sucker for the fairytales” like The Sleeping Beauty andCinderella, and she enjoys the comedy ballets as well. Eurydice in Veronica Paepers’s Orpheus in the Underworld is another part Laura loves.

While Laura spends a lot of time preparing for dramatic roles through research and rehearsal, she doesn’t need to spend much time prepping her shoes. She says, “Gaynor Mindens have changed my dancing for the better! They are so consistent, and it really helps when I can concentrate on the steps and not worry about if my shoes will last or not! I always KNOW they will.” Six years ago, drawn to Gaynor Mindens’ sleek look, Laura tried a pair, and immediately loved their comfort. “I always feel safe and ready to perform in my Gaynors. I love the comfort and predictability that every pair will be comfortable and reliable! No more shoe stress!”

When not dancing, Laura likes to get out of the city — especially to the beach for water sports. In a sentiment reflecting her focus, intelligence, and commitment to her artistry, Laura says that she’d love to travel even more because, “it’s always so inspiring to see other companies in action and apply the hard work I see before me to my own work.”

By Mary Hodges

Photo of Laura Bösenberg as Juliet in The Cape Town City Ballet’s Romeo and Juliet by Greg Lumley

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